Topics: Tattoo Stencil, Dark Skin Tones, Contour Lines, Tattooing Dark Skin, Tattoo Stencils on Dark Skin, Stencil tips, Tattoo Tips
In this “3 Minutes to Better Tattooing” article, we take a look at Jake’s outline and strategy to flawlessly craft stencils for individuals with a darker complexion. His approach breaks down the process into several simple steps that will make defining your design sharper and cleaner than ever before.
Separate Your Light & Shadow Shapes
When creating tattoo designs for darker skin tones, it is essential to keep your design elements as simple and distinct as possible. Crafting light and shadow shapes separately becomes especially critical since there isn’t the same wide range of values available.
To begin preparing your tattoo stencil, begin by adding an extra layer over the main drawing or sketch. Then utilize bright white to fill in and simplify all light shapes for an abrupt transition between light and dark areas. The white acts as the “skin tone” for the stencil, so this will help make the stencil simpler, eliminating any uncertain or fuzzy transitions which may be difficult to recognize while you are tattooing.
Contour Lines To Indicate The Tattoos Fit & Flow
Next, you’ll make the line drawing for the whole stencil. You really want to make sure to thinly line and block off your shadow areas that way you know where the light ends and the shadow shapes begin.
Following that, I like to utilize contour lines as a way of forming what is practically a topographic map for the tattoo. Incorporating these contour lines into the various shadow shapes helps you accurately perceive their direction and flow.
These blocked off transition areas and contour lines can act as guideposts and are helpful with complicated areas where light source and form can tend to get a bit lost on darker complexions.
Tattoo Stencil Visibility: Red Vs Purple
While red and purple are the two most common stencil colors, purple paper is used more often. Unfortunately, once it dries it has a greenish-gold shimmer that can be difficult to read on darker skin tones. This sheen isn’t as much of an issue on lighter complexions but can blend in with deeper shades of skin making the design hard to decipher.
Red stencil paper is a second option to consider. While it tends to be lighter than other options, the visibility remains clear and consistent. This makes it perfect as it doesn’t muddy up those contour lines and you can really make out all the directional shapes of the shadows.
Bonus Tip: Block In Shadows In The First Tattoo Session
Finally, let’s talk about actually tattooing for a minute. Always keep in mind ways to ready yourself for the following session; sometimes clients can’t book multiple days consecutively or you have already reserved time for the next day so make sure that before you finish, you make sure you’re leaving things at a nice solid endpoint.
Structuring your major light and shadow shapes can set you up for success. Consider adding a mid-tone gray or darker shade to act as an “underpainting” that will guide you on where the shadows should be placed, what colors need to go in which areas, etc. Doing this not only helps ensure accuracy with your tattoo for next time, but also gives the client something more finished looking when they leave!
In addition, you might consider saving hard outlining just before you complete the tattoo. This offers a great opportunity to decide which parts of the design will be highlighted. Think of the dark black outline as a finishing touch, it gives more emphasis to those features and helps push contrast and draw attention towards the focal points.
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