Crystal Rose, new to the industry, has been tattooing for a little over a year. Crystal started and completed her apprenticeship here at No Egrets. She enjoys many styles her favorites are: American traditional, watercolor, black and grey, cartoon themed pieces, Greek mythology, florals, and all types of lettering/ script pieces.
To book an appointment with her go to her Instagram: @Crystal_Rose_Art_
Or email her at: @crystalroseotero@gmail.com
Crystal Rose, new to the industry, has been tattooing for a little over a year. Crystal started and completed her apprenticeship here at No Egrets. She enjoys many styles her favorites are: American traditional, watercolor, black and grey, cartoon themed pieces, Greek mythology, florals, and all types of lettering/ script pieces.
To book an appointment with her go to her Instagram: @Crystal_Rose_Art_
Or email her at: @crystalroseotero@gmail.com
freehand on Walter @nantestattooconvention inspired by ancient Egyptian art…. thanx for the trust…
Maybe “all the gods have abandoned us” but Florian Karg, the owner of ‘Vicious Circle’ in Blaichach (Bavaria/Germany) has never stopped believing strongly in his deeply emotional Dark Horror tattoos…
Florian, one thing I liked about you is that you always had clear ideas about your future, including becoming a tattoo artist. Do you confirm?
Yeah! I became enthusiastic about art and street art at a very young age. In fact, when I was young, I first trained as a farmer. But during that time I quickly realized that I wanted to do art and tattoos and then became self-employed at the age of 18.
How much do you think your art and style have evolved since you opened ‘Vicious Circle’ back in 2004? I mean: does that Florian Karg of twenty years ago still exist in some way?
I’ve always been of the opinion that standing still is death, in every respect. That’s why I always try to develop myself further, but I think I have never lost my dark bloody soul and will never lose it.
‘Vicious Circle Tattoo’ has moved once before, right? You were originally in Weiler im Allgäu, and now you’re in the small town of Blaichach. But your philosophy hasn’t changed: always surrounded by nature and peace…
Blaichach is my birthplace and I always knew that I ‘d come back to my parents’ farm. It took a few years to plan and implement the renovation but now we have the tattoo studio, art gallery, home and farm all in one place (IG: @vicious_circle_tattoo)… and I love it!
Do you think that your tattoos are not only beautiful examples of Black-n-Gray Realism with various references to a dark/horror world, but also deeply emotional?
Well, over the years I have also had a lot of fun with animal tattoos and nature. But dark horror and deep emotional projects are still my favorite and suit me best.
A while back, you said there wasn’t much “craziness” left in the tattoo world. In 2024, do you think everything has been fully normalized, or is there still room for wild creativity?
I think I should take back what I said… Maybe artists back then weren’t as exposed to social media as they are today.
Now, I discover new artists that fascinate me almost every day.
Do you listen to music while you’re working on projects (tattoos, paintings etc)?
I love music and it actually depends on the season. In summer I like to listen to metalcore and in winter it’s more like melodic black metal and deathcore but also a lot of other genres. Bands like As I Lay Dying, Breakdown Of Sanity, Insomnium and Heaven Shall Burn have been with me for a long time.
When it comes to tattoo conventions, do you have a particular one you wish to attend?
Since I don’t go to conventions anymore I don’t have a specific wish, but if I had one wish I would want the ‘London Tattoo Convention’ back.
And what about your tattoo art in general? Do you have any unexpressed projects you’re working on?
I work on great projects every year and try to take a lot of time for each one. I also use the winter time to paint a lot because there is less to do on the farm in winter.
Last question – In the photo that appears on the ‘Vicious Circle’ website (www.vicious-circle.vc) you wearing an Architects black t-shirt that says ‘All Our Gods Have Abandoned Us’ which is also the title of their 2016 album…
Yeah, I can confirm it!
So do you just like the phrase or are you a fan of their music?
I definitely like the band a lot, but I really like the older albums. But the saying on the t-shirt fits wonderfully into today’s times and makes you think…
PUBLISHED IN GERMAN, ITALIAN, FRENCH, ENGLISH AND SPANISH EDITIONS. EVERY YEAR EACH VOLUME SHOWS HUNDREDS OF TATTOO IMAGES AND PRESENTS THE TATTOO SHOPS IN EACH COUNTRY WITH ALL THE INFORMATION YOU NEED.
The post Tattoo Artists Yearbooks: Florian Karg from ‘Vicious Circle’ appeared first on Tattoo Life.
What inspired you to get into tattooing?
When I was younger I did freestyle motor cross and after many broken bones and surgeries it was time to find a new hobby. Ultimately it turned into a career and a passion.
Tell us about how you got started in the industry
I did not have a traditional apprenticeship and unfortunately started a bit later in life at 25. When I first started I was self taught and did not have a mentor in the beginning but over the years and as I became more dedicated I was lucky enough to meet and become friends with some of the top artists in the industry who I still speak to and learn from everyday.
As an artist, its your work limited to the human form or do you also paint, draw, etc as another form of expression?
Unfortunately I’ve limited myself to solely tattooing. I’d love to paint, I have been told my work can be very ‘painterly’ – I’ve tried but my energy is so focused on tattooing and I don’t want to take away from that
What type of tattoo work do you like doing the most?
I stick to doing large colour pieces, more towards the realism style but honestly, I love anything with colour.
Tell us a little about your current style?
I’m still trying to find my style… I’m currently trying to find the balance between that painterly style and full colour hyper realism, focusing on detailed areas along with large areas of smooth blended colours.
Do you find your work attracts a specific type of clientele?
I wouldn’t say I get a specific type of clientele but I’m focusing on my style of the large scale colour pieces and the freedom to design the tattoo.
Any advice for the next generation of artists?
Over the last 15 years I’ve definitely learned many lessons but I think the most important is there is no shortcut to tattooing and anybody can do it, it all comes down to how much time, practice and drive you put into it. I’m not a person with natural art talent but with hard work and dedication you can achieve the same or better results.
What is the weirdest experience you’ve had either in your studio with a client, at a convention etc?
The weirdest… I don’t know, I have a ton of stories but I don’t really consider any of it weird… it’s just life.
What do you like to do when you’re not tattooing?
If I’m not tattooing I take every opportunity to get out on my Harley. During the winter or rainy days I’m mostly at the shop trying to improve my work – or just having beers with friends.
What’s your favorite tattoo, that you’ve done, and why?
I don’t have a specific favourite tattoo but there are many pieces I have favourite areas of.
If you could get tattooed by anyone, who would it be and why?
Other than my first few tattoos that were planned I’ve been tattooed very organically in the moment, personally who tattoos me isn’t as important as where, when and why I get tattooed
Finish this sentence: If I could rule the world for a day I would…
.. Fuck that, I can barely run my own life why would I want to rule the world!
Tell us where to find you online and anything else you want us to know!
You can find me on
IG @traviscadeau
FB Travis Cadeau
email: tcadeautattoos
The 2024 edition of Baum Fest, Barcelona Art & Urban Movement, took place over the weekend of October 4th, 5th, and 6th, serving as a meeting point for those looking to explore and engage with urban culture. More than 250 tattoo artists brought international tattooing to the heart of beautiful, sunny Barcelona, inside Pavilion 8 of Fira de Barcelona at Plaza España, the city’s most renowned location for festivals and exhibitions.
“The Barcelona Tattoo Expo is one of the most traditional events in the tattoo world,” said Mik Garreta, the historic organizer of this event and a well-known figure among attendees of major tattoo conventions for his long-standing support to tattoo culture.
“We offer our city the opportunity to get tattooed by artists from around the world, using traditional techniques or specializing in various styles such as realism, traditional, or Japanese, among others. People come from all over Spain and abroad to find inspiration, ideas, or the latest trends, enjoy live art, and get tattooed!”
The tattoo convention is part of the broader Barcelona Art & Urban Movement, which aims to reflect and give voice to urban culture and its artistic expressions. This festival offers a stage where the best b-boys and b-girls compete in spectacular dance battles, allowing both dancers and audiences to experience the essence of breaking in its purest form.
More than just a competition, it’s a tribute to the creativity and resilience of urban culture, where every move tells a story and every battle is a work of art in itself, featuring everything from dance to graffiti, DJs, and various activities, including street biking and trap music.
The event has established itself as a place where the ancestral and contemporary meet, creating a unique atmosphere.This balance between tradition and modernity has been key to attracting thousands of attendees, generating an unforgettable atmosphere. With over 18,500 visitors by Sunday afternoon, the attendance reflects the growing interest in this type of festival and the appeal of urban art today.
“This year was special because we wanted to dedicate this edition of the convention to MAO, who passed away last April, my friend and companion with whom I shared much of my journey in the tattoo world. On the jury during the contests, we had the honor of having Cathy, MAO’s wife, with whom we celebrated his passing with a traditional “Kava” the Samoan traditional ritual, on Sunday morning. This tribute was attended by his close friends and could be witnessed by the entire audience.
Alongside Cathy on the jury during the three days were Robert Hernandez, Herke, Oscar Garcia, Max Ghostar, Carlos Fabra, Debora Cherrys, Yomico Moreno, Iko, Ganso Galvao and José Monzón, who selected the winners of the various tattoo contests that animated the central stage throughout the event.
We from Tattoo Life were present with our booth, and we are sharing with you the photos and reports from these three days, along with the names of the Best of Day and Show winners. But first, we invite you to watch the video that captures the atmosphere and vibrant activity of this 2024 edition better than any words could.”
The post Baum Fest: Barcelona Art & Urban Movement 2024 edition appeared first on Tattoo Life.
The chart below shows the value of one country’s exports in various categories during 2015 and 2016. The table shows the percentage change in each category of exports in 2016 compared with 2015. (Source: Cambridge IELTS 14) Here’s my band 9 sample answer: The bar chart and table give information about a country’s export earnings from five groups of products in 2015 and 2016. It is noticeable that export revenues in all but one of the five product categories increased over the period shown. While petroleum products were the highest-earning exports in both years, the textile industry saw the most significant growth in earnings. Export earnings from petroleum products rose from around $61 billion in 2015 to $63 billion in 2016, which was an increase of 3%. Income from engineered goods reached a similar level. The country’s export earnings from these goods went up by 8.5% to approximately $62 billion in 2016. From 2015 to 2016, there was a 15.24% increase in export revenue from textiles, with earnings rising from roughly $25 billion to over $30 billion. By contrast, there was almost no change in the amount of money earned from agricultural products, which remained at just over $30 billion. Finally, the only decline in income occurred in the gems and jewellery product group, where export earnings fell by around 5% to approximately $40 billion in 2016.
